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HomeOperaThe Opera Tattler: Opera Parallèle's The Shining

The Opera Tattler: Opera Parallèle’s The Shining



OP-The-Shining-02* Notes *

Opera Parallèle made a triumphant go back to the Yerba Buena Heart for the Arts Theater with a chamber model of  Paul Moravec‘s 2016 opera The Shining (starting of Act I pictured, {photograph} by way of Cory Weaver) ultimate evening in San Francisco. The piece is in response to the unconventional of the similar identify by way of Stephen King and includes a lushly creepy rating.

Maestra Nicole Paiement performed with nuance and precision, the tiny chamber orchestra sounded completely complete and powerful. The track references Berlioz and Wagner, and made me curious to listen to Paiement habits a Ring cycle. The pacing of Act I gave the impression slightly gradual, there was once numerous plot to get thru, however Act II was once utterly attractive. Director Brian Staufenbiel put in combination a visually wealthy manufacturing, the set moved easily, the scenes switching simply with suave use of video projections and set items driven about by way of ensemble contributors.

There have been about as many singers within the solid as musicians within the pit, it was once a little dizzying. Lady sopranos Perri So and Kiyomi Treanor had been specifically chilling because the Grady Ladies, their grotesquely massive child bonnets in lurid purple most effective heightened the scariness. Tenor Nathan Granner sounded nice as Invoice Watson, Lloyd the Bartender, and a part of the vocal ensemble, his diction is all the time completely intelligible and he has a charismatic degree presence even in those supporting portions. Tenor David Walton was once additionally a satisfaction to listen to, his vibrant voice lower in the course of the orchestration and he was once ready to be distinct in his roles as Stuart Ullman, the overall supervisor of the Omit Lodge and the ghost of Delbert Grady,  the former caretaker of the Omit who murdered his circle of relatives.

OP-The-Shining-19My favourite singer on this was once bass-baritone Kevin Deas as prepare dinner Dick Halloran (pictured with Michael Thompson in Act I, {photograph} by way of Cory Weaver). It is a sympathetic persona, to make certain, and Deas introduced a heat richness to the function, his rapport with Tenzin Forde as Danny Torrance (who stocks the function with Thompson) was once transparent. Forder does no longer sing however could be very convincing, it’s fascinating that this kid with particular powers is the one one that does no longer have a making a song phase.

Soprano Kearstin Piper Brown (Wendy Torrance) has an icy, versatile voice. She has an effortlessness that by no means comes off as harsh. Her early seventies outfits had been numerous amusing and she or he rocked bellbottoms and platform sneakers with a disarming ease. Baritone Robert Wesley Mason as Jack Torrance has a formidable sound, although no longer extraordinarily numerous. He did unraveled somewhat dramatically and had spectacular stamina for this marathon of a task, he was once onstage for almost all the opera.

* Tattling *
There was once moderately numerous speaking at the start of Act I, however ultimately everybody quieted down as they had been drawn into the narrative and stagecraft. Digital noise was once no longer famous, although a couple of other people did in brief have their cell phones out and illuminated.

It was once great to peer dozens of other people I do know at this efficiency, as I hadn’t been to this venue since 2017 for Opera Parallèle’s Flight.

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