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SF Opera’s El último sueño de Frida y Diego


_DSC0095* Notes *
The hole of Gabriela Lena Frank’s El último sueño de Frida y Diego (Act I Scene 2 pictured, {photograph} via Cory Weaver) at San Francisco Opera ultimate evening used to be vibrant and visually spectacular. There used to be a lot nice making a song, particularly from the refrain, and the colours of the orchestra had been on complete show.

This Spanish-language opera premiered at San Diego Opera in October 2022. It’s two acts, each and every about an hour lengthy, and takes position on El Día de los Muertos in 1957. The narrative follows Diego Rivera’s summoning of Frida Kahlo from the lifeless throughout this liminal time of 12 months. Los angeles Catrina, Keeper of the Useless within the Aztec underworld (Mictlān) convinces Kahlo to crossover to the dwelling global. Frank’s tune options numerous slippery, sliding chromaticism and percussion. I preferred listening to the celeste. I used to be much less inquisitive about Nilo Cruz’s libretto, there have been many jokes about Rivera’s bodily look, his pot-belly and worry of turning into fats, which appeared so unhappy for the reason that he is 70 years previous within the opera and with regards to dying. This did garner a lot laughter, most likely helping humanize the well-known muralist. Along with the 3 primary characters, there’s the younger actor Leonardo, who’s Kahlo’s good friend in Mictlān and needs to go back to the dwelling global impersonating Greta Garbo to thrill partial to the actress. The nature is a little bit random however endearing.

Frank handles the refrain neatly, the 40 choristers sounded cohesive and robust. All of the making a song used to be very wonderful. Countertenor Jake Ingbar is captivating as Leonardo, his vivid voice lower during the orchestration with out being harsh. Soprano Yaritza Véliz has a good looking otherworldly high quality as Los angeles Catrina, bird-like and angelic. Baritone Alfredo Daza is an impressive Diego Rivera, his voice could be very robust. Mezzo-soprano Daniela Mack inspired as Frida Kahlo, no small feat given how iconic the painter is. I have heard her repeatedly in numerous repertoire, however this position in reality displays off the depths of her voice.

_DSC0168The manufacturing, directed via Lorena Maza, is luxurious with plenty of wealthy main points. Jorge Ballina’s set makes best use of colour, the saturated marigold orange within the underworld and intense cobalt blue of Los angeles Casa Azul had been specifically hanging. The scenes switched simply and artfully, whether or not it used to be altars of flora suspended from the ceiling or platforms rolled in to create other areas. I particularly preferred how a clean mural wall concealed the refrain at first of Act II after which printed Rivera’s Sueño de una Tarde Dominical en l. a. Alameda Central (pictured, {photograph} via Cory Weaver). In fact, the recreations of Kahlo’s art work had been additionally very superbly finished, Eloise Kazan’s costumes definitely made that scene that happens later in Act II paintings.

* Tattling *
It used to be nice to look that the home used to be complete for the prima of this opera. I located myself in the midst of balcony status room proper at the back of two {couples} and had a perfect view of the level the place I may just simply forget about the OperaVision monitors.

There used to be a mobile phone ring proper sooner than the tune began which made the target audience titter. There used to be a good quantity of sunshine speaking and plenty of telephone monitors being checked for the time throughout Act II.

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